Salon des Refusés (“exhibition of rejects”) was an 1863
exhibition of artworks rejected from the official Paris Salon.
With hindsight those excluded from the Salon on the grounds of incompetence included significant number of now highly esteemed painters.
A high proportion of the three thousand rejected works must have been unsuccessful attempts to produce normally academic pictures. Painters took the risk that their work would be seen as incompetent rather than modern.
Naively, peer review ensures that
Those are all important, but...
They are partly after-thoughts
There are things we say implicitly
All knowing, no matter how formalised, relies upon commitments. Scientific method cannot yield truth mechanically.
How to acknowledge personal
knowledge and allude to it?
Publish attributed literary critiques!
Programming language research as
mathematics, science and engineering
Self-consciousness about how research is done!
09:20 - 10:30 Files as Directories: Some Thoughts
on Accessing Structured Data Within Files
11:00 - 11:50 Lector in Codigo or the role of the reader
11:50 - 12:30 PANEL DISCUSSION
What next for Salon des Refusés
14:30 - 15:00 An anatomy of interaction:
Co-occurrences and entanglements
15:20 - 16:00 PANEL DISCUSSION
Evaluating novel programming research ideas
16:30 - 17:20 Semprola: A semiotic programming language